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Nguyn Đc Dim Quỳnh (otherwise known as Quỳnh Lâm) is an interdisciplinary artist and Fulbright scholar with a background in architecture, working on conceptual and archival projects, Quỳnh has created a diverse body of work in performance, video, painting, and installation, that highlights the tensions between personal and collective memory, particularly the experiences of herself as a Vietnamese woman both in Vietnam and abroad.

She is a laureate of the Fabrique 2023-2024 - Fondation Fiminco (FR), the 2023 Leipzig International Art Programme (DE), and received the 2021 American Austrian Foundation Prize for Fine Arts (AT), the 2019 Art Future Prize Taiwan - Special Jury Prize (TW). She also has been an artist-in-residence fellow in North American institutions such as the Santa Fe Art Institute, Ragdale Foundation, Hambidge Center for Creative Arts Sciences, Oak Spring Garden Foundation, and the School of Visual Arts NYC.

Her selected exhibitions include The Factory Contemporary Arts Centre (Ho Chi Minh City), The Vincom Center for Contemporary Art (Hanoi), Mana Contemporary (Chicago) in partnership with CADAF (Contemporary Digital Art Fair), Stamford Arts Center (Singapore), Museum of Contemporary Art Nashville (Tennessee), Palazzo Costanzi Museum (Trieste), Moggio Udinese Fondazione Friuli (Udine), Museo Civico di Casa Maccari (Gradisca), Fondation Fiminco (Romainville x Paris) and Fondazione Merz (Turin), etc.


Her performances have been featured at London Gallery Weekend 2022 (Cromwell Place), Berlin Art Week 2022 (ifa Gallery), ADAM Gathering x Taipei Arts Festival (Taipei Performing Arts Center), Spinnerei Archiv Massiv (Leipzig), Art Space Tetra (Fukuoka), Art Center Ongoing (Tokyo), MS Dauerwelle (Hochschule für Künste Bremen), Asia NOW 9th Edition (Monnaie de Paris), and DRAC Occitanie (Toulouse).

Quỳnh Lâm's works have been featured in many publications: Imago Mundi–Vietnam: New Winds (Luciano Benetton Collection, 2015), Saigon Artbook (edition 6, 2016), Frame to Focus: Vietnamese American Women Artists (sponsored by The Catherine G. Murphy Gallery, 2020), Black Mountain College Museum + Arts Center Journal (Volume 12: Expanding the Canon, 2021), Contre-culture dans la Photographie Contemporaine (Textuel éditions, 2022), and have been accessioned to several libraries, e.g. the MoMA, Yamamoto Gendai, Bay Library, Salon Saigon, Dia Project, UCLA library, UTK John C. Hodges Library (Special Collections), SAIC Joan Flasch Artists' Book Collection, and other art hubs.

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